Kingdom of Forgetting
The opening title track establishes the landscape: dark, spacious, and deliberately unresolved.
ISRC QTA2T2601599
Hogan Ellis / Private Press Kit
American guitar music crosses through Checkpoint Charlie.
Advance material. For editorial, broadcast, and industry consideration; please do not redistribute before release.
The record
On Kingdom of Forgetting, Hogan Ellis takes the broad horizons of his earlier American guitar music and moves them somewhere colder. Electric guitars, bass, drums, and melody remain at the center while strings and electronic textures settle beneath familiar arrangements.
The EP title was borrowed from a Cold War documentary about the Czech Republic. What began as a found phrase became an image for memory distorted by distance, private feeling surviving inside impersonal systems, and familiar places rendered strange by time.
Less open road, more Checkpoint Charlie.
Advance stream
256 kbps listening copies. Lossless 24-bit / 44.1 kHz WAV masters are available below each track.
The opening title track establishes the landscape: dark, spacious, and deliberately unresolved.
ISRC QTA2T2601599
Guitar-driven American songwriting changes shape as strings, electronic texture, and subterranean low end enter the arrangement.
ISRC QTA2T2601598
The open landscape contracts into something more interior and claustrophobic, with bass and low-mid weight pressing the arrangement inward.
ISRC QTA2T2601600
The first real exhale. Greater space and dynamic movement reopen the frame without restoring the old scenery.
ISRC QTA2T2601601
Downloads
Four-page PDF with release overview, artist biography, track notes, credits, metadata, and approved press language.
Square high-resolution artwork suitable for editorial use with credit to Hogan Ellis.
Square high-resolution artist portrait suitable for digital or print coverage.
Release information
Written, arranged, and produced by Hogan Ellis
All instruments by Hogan Ellis, except as noted
Bass by Will Krause on tracks 1-3
Fiddle by Eddie Dickerson on tracks 1-2
Mastered by Hogan Sullivan
One-stop clearance: master and publishing controlled by Hogan Ellis. No samples. Stems and instrumentals available on request.
Contact
For interviews, advance coverage, broadcast files, stems, instrumentals, or additional assets: